QRD - Current Issue   About QRD   QRD Archives
QRD #51 - Indie Comics Interview Series
QRD - Thanks for your interest & support
about this issue
Indie Comic Creators Interviews:
‘Lil
Kimberlee Traub
Liz Suburbia
Michael Anthony Carroll
Mike Kitchen
Sloane Leong
Troy Little
Wayne Wise
Blair Kitchen
David Lawrence
Dawn Best
ED
Gary Scott Beatty
Jack Knifley
Jason Strutz
William Schaff
QRD - Advertise
Silber Records
Twitter
Silber Button Factory
Cerebus TV
Silber Kickstarter
Interview with Indie Comic Creator Troy Little
June 2011
Name: Troy Little
City: Charlottetown, Prince Edward Island
Comics: Angora Napkin, Chiaroscuro
Websites: www.meanwhilestudios.com

QRD – How old were you when you first got into comics & did you always stick with them or did you come back to them?

Troy – I’ve been reading & drawing comics for as long as I can remember.  I almost gave them up as a lost cause after the early ‘90s, but then I discovered indy comics like Bone, Cerebus, & Strangers in Paradise. I never looked back.

QRD – What was the first comic book you ever bought?

Troy – I’m not sure, but I very clearly recall getting Marvel’s Star Wars #15 from a spinner rack & reading it in the waiting room at the doctor’s office.

QRD – How old were you when you put out your first comic?

Troy – 25 years old.  Chiaroscuro #1, September 2000.

QRD – What decade do you think produced the best comics?

Troy – I’m not partial to any decade, I just like good comics regardless the era.

QRD – Why comics instead of just writing or drawing?

Troy – It’s the best of both worlds! I love the hybrid. When I think of writing a novel, it usually evolves into a comic story. I’m too visual to rely only on words & I like what the art brings to it.

QRD – Do you see mini-comics & indie comics as paths to mainstream comics or as their own unique media?

Troy – They’re their own thing, it’s up to the creator what his/her agenda beyond that is. I like being on the indy side of things, it affords more freedom. Besides, I never had any desire to draw Batman or Spiderman as a career goal - I’m more interested in telling my own stories.

QRD – How many copies of your comic do you print in your first run?

Troy – I think it was close to 2000 on issue #1 & down to 1000 by issue #7 when I ceased self-publishing.

QRD – How much do you think comics should cost?

Troy – $2-$3? Beats me, I’m pretty much a graphic novel buyer these days.

QRD – How many books do you produce a year & how many would you like to?

Troy – If I’m lucky, 1 book every 2 years (graphic novel), but I’m hoping to pull down a book a year in the future.

QRD – Do you think stories should be serialized or delivered as complete works?

Troy – Depends on the story. Like I said earlier, I pretty much only pick up collected books.

QRD – How are comic strips different than comic books & which medium do you prefer?

Troy – I guess the obvious thing is the strips are often 3-4 panel gags & not extended narratives. Both have their place. I prefer creating longer form stories, but enjoy both mediums.

QRD – How long is it from when you start a comic until it’s printed?

Troy – Too long. Years.

QRD – What do you better with your comics now than when you first started?

Troy – The art gets better.

QRD – At what point in the artistic process do you work digitally?

Troy – Scanning the artwork for print & any colouring. Beyond that I’m very much rooted in the traditional method right down to hand lettering.

QRD – What do you think of digital comics & webcomics?

Troy – Some are great, most are not.

QRD – Do you prefer working in color or black & white?

Troy – I prefer B&W, but I’m seeing the merits of adding colour. It’s just tedious.

QRD – How many different people should work on a comic & what should their jobs be?

Troy – I generally like books by a single creator, but there are plenty of great collaborations out there as well.

QRD – How do you find collaborators?

Troy – I don’t.

QRD – How tight do you think a script should be as far as telling the artist what to draw?

Troy – The writer needs to leave room for the artist to do their job. I doubt I could draw for Alan Moore.

QRD – What comic book person would you be most flattered to be compared to?

Troy – Dave Sim (which Alex Robinson & I were referred to - with pride - as  “Magpies” on his wiki page). People have made allusions to John K. as well.

QRD – What do your friends & family think of your comics?

Troy – They seem to like them I guess.

QRD – What do you think of superheroes?

Troy – I don’t bother with them really. The early ‘90s ruined those books for me for life.

QRD – Marvel or DC?

Troy – Neither. Fantagraphics, D&Q, Top Shelf, First Second (etc) are more my style.

QRD – What comic characters other than your own would you like to work with?

Troy – I can’t think of any really.

QRD – Ideally would you self-publish?

Troy – I have in the past & I may again in the future.

QRD – What conventions do you try to attend & why?

Troy – I like the indy cons like TCAF (my fave), APE, & SPX.

QRD – What do you do to promote your books?

Troy – Hustle them on the net mostly. Maintain a blog(s) & update them a few times a month. Nothing crazy.

QRD – Do you think your comics are well suited to comic shops or would sell better elsewhere?

Troy – Sure, but I think they belong in mainstream bookstores as well.

QRD – What other medium would you like to see some of your comics made into (television, film, games, action figures, etc.)?

Troy – My book Angora Napkin was made into an animated pilot for Teletoon.  I’d like to make more of those someday. Maybe straight to video features?

QRD – Do you consider yourself a comic collector or a comic reader or both?

Troy – Less a collector now & more of a reader.

QRD – What do you see as the most viable mediums for comics distribution 10 years from now?

Troy – Probably a hybrid between Diamond & Amazon. Sort of like it is now I think.

QRD – What would you like to see more people doing with comics?

Troy – Original creator owned graphic novels that didn’t involve superheroes.

QRD – Anything else?

Troy – Yes.