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QRD #51 - Indie Comics Interview Series
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Indie Comic Creators Interviews:
‘Lil
Kimberlee Traub
Liz Suburbia
Michael Anthony Carroll
Mike Kitchen
Sloane Leong
Troy Little
Wayne Wise
Blair Kitchen
David Lawrence
Dawn Best
ED
Gary Scott Beatty
Jack Knifley
Jason Strutz
William Schaff
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Interview with Indie Comic Creator Michael Anthony Carroll
June 2011

Name: Michael Anthony Carroll
City: Columbus, Ohio
Comics: R.A.In.B.O.W, AsthmaAttack, The Accidentals, Death Takes on Holidays, The Kernal
Websites: http://webcomicsnation.com/carrolltoons

QRD – How old were you when you first got into comics & did you always stick with them or did you come back to them?

Michael – 9ish; big stack of books given to me while I was in the hospital. Cut back here & there over the years, but stuck with it.

QRD – What was the first comic book you ever bought? 

Michael – With my own money? Can’t really recall; either a single issue of The Justice League of America, or a subscription to Shazam! I was either using allowance money, or selling Grit. Seriously.

QRD – How old were you when you put out your first comic? 

Michael – 10 when I made my own comic; 23 for first regular sized direct market book; 23 & a half for first self published book with multiple copies.

QRD – What decade do you think produced the best comics? 

Michael – All of them.

QRD – Why comics instead of just writing or drawing? 

Michael – It’s a balance between not wanting to write so many words & not wanting to draw so many pictures.

QRD – Do you see mini-comics & indie comics as paths to mainstream comics or as their own unique media? 

Michael – I see them as both.

QRD – How many copies of your comic do you print in your first run? 

Michael – Enough

QRD – How much do you think comics should cost? 

Michael – Whatever the market will handle that allows the creator to be compensated fairly.

QRD – How many books do you produce a year & how many would you like to? 

Michael – From 2-6 average, in addition to my online publishing & anthology work. As many as time & my health will allow/the market can handle.

QRD – Do you think stories should be serialized or delivered as complete works? 

Michael – Depends on the story & the creator.

QRD – How are comic strips different than comic books & which medium do you prefer? 

Michael – I like the rhythms of comic strips, but also enjoy longer form comic books & graphic novels. Like different dialects of the same language.

QRD – How long is it from when you start a comic until it’s printed? 

Michael – Depends on the story, character, dialogue, budget, etc; I can crank out one story in an afternoon, or take years to complete another.

QRD – What do you do better with your comics now than when you first started? 

Michael – Draw & write. Started out drawing, then switched to writing, then started bringing them together.

QRD – At what point in the artistic process do you work digitally? 

Michael – Either at the beginning or near the end & sometimes in the middle.

QRD – What do you think of digital comics & webcomics? 

Michael – Digital has made things like color & timeliness/productivity much more attainable for me.

QRD – Do you prefer working in color or black & white? 

Michael – They both have their merits; for me, my R.A.In.B.O.W/elemental characters in color, & the AsthmaAttack/autobiographical stuff in black & white.

QRD – How many different people should work on a comic & what should their jobs be? 

Michael – Depends on the story.

QRD – How do you find collaborators? 

Michael – I stopped looking when I couldn’t keep to what I would initially offer folks in a collaboration. These days I love being able to get comics out almost as fast as I think of them; it’s spoiled me for the collaborative process, but I’m working on that.

QRD – How tight do you think a script should be as far as telling the artist what to draw? 

Michael – It comes down to how the artist interprets what’s written. If clear directions are given, but not followed in the execution, what happens next?

QRD – What comic book person would you be most flattered to be compared to? 

Michael – I think the last time I was compared favorably to someone, it was a writer I wasn’t reading regularly & I’ve had a hard time reading his work since. In the mid 90s, someone else’s work was reviewed & compared to my “earlier” work, which was pretty sobering.

QRD – What do your friends & family think of your comics? 

Michael – Some family members like them, some friends like them; among them is a select group that’s objective enough to point out when something of mine isn’t working, & offer feedback. They’re not regular comics readers or cartoonists.

QRD – What do you think of superheroes? 

Michael – I love their absurdity; they often work better for me as comedy; people have complained about them since well before I started reading fan-press in the 70s. I now hear the arguments against them more than I read any arguments in favor of them. Yawn.

QRD – Marvel or DC? 

Michael – Me. See? With DC in second place.

QRD – What comic characters other than your own would you like to work with? 

Michael – Pretty much every obscure/third or fourth tier DC character/team, from The Creature Commandos to The Metal Men; & maybe a full length Justice League story done entirely as stick figures.

QRD – Ideally would you self-publish? 

Michael – I am & it is ideal.

QRD – What conventions do you try to attend & why? 

Michael – S.P.A.C.E is about it for regular appearances; sometimes I wander up to Michigan & hang out with the gang in Hamtramck; lately I’m trying to step up & appear at shows where cartooning is less prominent.

QRD – What do you do to promote your books? 

Michael – Post links online, chat up co-workers & friends of friends who are not comic readers.

QRD – Do you think your comics are well suited to comic shops or would sell better elsewhere? 

Michael – Definitely elsewhere.

QRD – What other medium would you like to see some of your comics made into (television, film, games, action figures, etc.)? 

Michael – Leaning toward animation & games; at least that’s how I’ve arranged my digital workflow.

QRD – Do you consider yourself a comic collector or a comic reader or both? 

Michael – Yes.

QRD – What do you see as the most viable mediums for comics distribution 10 years from now? 

Michael – Digital, print-on-demand, whatever bookstores are left standing.

QRD – What would you like to see more people doing with comics? 

Michael – More people trying it just once & more work from the people who already know how.

QRD – Anything else? 

Michael – Find a path that brings you the level of success that best suits you; incorporate more of yourself into your cartooning, no matter what your genre specialty is; stop making excuses & make comics.