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Remora
- Mecha
CD 2010 | Silber 085 16 tracks, 42 minutes $12 ($18 international, $5 download (256 kbps, ~114 megs)) :
Press Release
Track Listing:
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Drone rumbling with repetitive
electronic accompaniments, psych in places, bleak & minimalist in others.
Walls of guitar noise meddled about with effects give a disorienting feel....
At this point Remora has notched up about 18 releases that I can count,
including a bunch of cassette releases & 2, 3, & 4 way splits.
~ Blotter - The Bad Acid
Podcast
Remora is back with a new
full length album on Silber Records. This project has often delivered very
weird guitar experiments. The originality of the sound has often seduced
me more than the real content. “Mecha” sounds like a real rebirth for Remora.
We get an album on which the band experiments with electronics.
We here get electro loops
and a kind of vintage electronics reminding to the 80s. It all remains
pretty experimental, but totally different from what I’ve heard for so
far. “Mecha” is moving in between instrumental cuts and sung tracks. The
vocals are sometimes reminding me of Edward Ka-Spel. There’s a similar
way of singing. Remora brings some kind of little stories so it’s not really
a surprise to discover a kind of mini comics stories in this album (which
was conceived by the label owner Brian John Mitchell).
“Mecha” is a quite diversified
release although there’s a constant experimental style emerging from the
songs. The music and song structures are often rudimentary, but that’s
precisely what brings the 80s to mind. Songs like “Nevada Smith”, “My Son”,
“10,004” or yet “Slip Sky” is illustrating this feeling of the early years
of electronics. Some of these titles rang a bell. I discovered that several
songs from “Mecha” have been previously released on different older albums
of Remora. The original versions were guitar-like while “Mecha” stands
for the electronic adaptation. The idea is pretty original and in my opinion
much more convincing.
Notice by the way that this
album was released in a round iron box, which is quite alluring.
~ Side-Line
There are equal parts mechanized,
shiny space age marvel on Remora’s Mecha to accompany the twisted, burning
wreckage it suggests.
What exactly does that mean?
It means that the opening
track, “March” beeps and drones while supporting a menacing bounce as though
your joystick controlled star fighter is limping toward the game’s final
encounter; the next track, “Nevada Smith” is just as grim, a personal suicide
mission with a vaguely western feeling. Known primarily through their fifteen
year career as a guitar noise and experimental band, Remora transforms
into something much different on Mecha. It’s a more computer-like skin
than whole man. In some places the vocals are downright shudder worthy
from best friend killing on “WW III” to bleak resolve on “Lilly” giving
the sum air of a world without feeling.
A world that perhaps only
a robot could envision.
It has been my lasting impression
that any Remora recording is a unique, mind-changing listen that is best
considered with the context of their entire catalog in mind (it’s hard
to imagine that this is the same band that produced Ambient Drones For
One Guitar or 1998’s Amerse). The soundscape or whole song-based Mecha
does little to dissuade me of that. It is a strong, unique twist on their
futuristic sound but somewhat limited without the companion context of
their other work. I say, dive into all of it.
~ Erick Mertz, Kevchino
This is a lot different to
anything else I’ve heard by Remora. The guitars have largely been jettisoned
in favour of early eighties analogue synthesisers. Mecha is a concept album
put together by Remora (aka Silber head-honcho Brian John Mitchell) with
an accompanying comic. It’s a tale of a dystopian future of robot freedom
fighters in the grand DC/Marvel tradition.
Musically, this is deliberately
almost simplistic stuff with the Normal, pre-Dare Human League and the
non-pop side of OMD the obvious reference points. The tracks with vocals
are given a dispassionate deadpan delivery that resembles John Foxx’s most
mechanistic performances.
It’s obviously a deliberate
move by Remora to make Mecha sound like something that could have been
made thirty years ago at the pre-dawn of the synthpop boom. It works for
the most part, but there’s a nagging feeling that a number of tracks overdo
the two-note, one finger synth patterns and could use a bit more complexity.
There are interludes that are more abstract and do help to break up the
icy monotony, injecting a little dirt to the otherwise clean boing-boing-boing
of the synth melodies. Many of these are the most successful pieces – the
industrial metallurgy of closer 049 is particularly good.
I guess Mecha is an attempt
to reconnect with the sci-fi tradition of albums such as Travelogue and
Reproduction, and as a retro-future exercise it achieves everything it
sets out to admirably. In some ways, in 2010 such a project is akin to
the “Ethnological Forgeries” committed by Can where they created pseudo-facsimile
versions of obscure tribal music or scratchy twenties hot jazz records
– i.e. an exercise in musical time travel.
~ Music Musings & Miscellany
Remora: "Lilly" - This track
comes from the new Remora album "Mecha" which is available now through
the consistently remarkable Silber label. The Silber website describes
the album as "Post apocalyptic pop. Blurps & bleeps. Bridges between
machine & human brains. Music for androids. Part post rock, part electro,
& part folk; love songs, fight songs, & ballads; distorted future
music." which just about covers it. According to the website you will also
be furnished with a copy of the Mecha mini comic whatever that may be and
I should let you know that a limited number of copies are available in
tins because let's face it. Any record which comes in a tin needs to be
owned.
~ Burning World Pod Fodder
"Mecha" è un concept
album realizzato da Remora aka Brian John Mitchell, assieme al disco viene
allegato un fumetto che racconta di un futuro abitato da robot che combattono
per la libertà; la musica è la colonna sonora del fumetto
stesso.
Sintetizzatori analogici,
chitarre, industrial ed elettronica lavorata per farci entrare nel mondo
di Mecha e per farci ambientare (non a caso) tra i robot ed apprendere
il motivo della loro esistenza; i brani sembrano, dopo svariati ascolti,
un po’ troppi, e dovrebbe esserci un po’ più di variante per poter
alleggerire il concept. La voce, non sempre presente, è un mix tra
John Foxx e Sephin Merritt, pacata e descrittiva più che un vero
e proprio canto.
Si tratta quindi di un vero
e proprio salto nel futuro, un ipotesi fredda e robotica dove se non si
combatte di perde; “049” è perfetta per questo viaggio, così
chi intraprenderà il cammino potrà capire cosa li aspetta
in “Mecha”: industrial, metalli e loop ipnotici che difficilmente rasserenano.
Collaborazioni artistiche
di questo tipo, tra diverse tipologie d’arte, hanno preso piede anche in
Italia con Robotradio Records (non a caso porta questo nome?) e sono sempre
ben accette. C’è da perfezionare alcune cose, come la scelta di
mettere così tanti pezzi, e poi ci siamo.
~ Velvet Goldmine
Quanti modi ci sono per interpretare
il drone? Per Remora, progetto solista di Brian John Mitchell, decisamente
infiniti, facendosi prima conoscere per i suoi rumorosi lavori di chitarra
e album di cover, poi per una serie di esperimenti con vocalizzi a capella
e, ora, con il nuovo lavoro 'Mecha', si tratta di escursioni pop elettroniche.
L'intero album è
stato inizialmente composto su chitarra, poi il tutto è stato convertito
con diversi strumenti midi, utilizzando Little Drummer Boy; tra l'altro
diversi pezzi sono già comparsi in versione non elettronica in diversi
lavori del passato. Il risultato è sicuramente particolare, come
se gli Hum avessero deciso di buttarsi a fare elettronica a capofitto (ascoltate
WWIII e ditemi se non ve li ricorda!).
L'inizio con la strumentale
e robotica March mi aveva lasciato un po' stranito, ma poi l'orecchiabilità
di momenti notevoli come la tenera Demon Fighter o Lilly e l'angolare Every
Morning mi ha convinto in pieno. La tematica sottostante all'album è
la storia di un uomo fatto schiavo su Marte che fugge e scopre l'amore,
per poi perderlo e decidere di tornare a combattere con l'aiuto di un enorme
robot, su cui appunto graffitterà il nome Mecha.
Certo, lo stile di cantato
distaccato e perennemente filtrato come fosse attraverso un baracchino,
dopo dodici canzoni risulta abbastanza fastidioso; ma il tema portante
di 'Mecha' è proprio quello, e comunque ben si sposa con l'umore
perennemente estraniato e triste. Insomma, personalmente, non l'ho trovato
un gran ostacolo al godimento dell'album.
Insomma, dopo un primo momento
di straniamento, a cui sarà ben abituato chi ha già seguito
Remora in passato, è difficile non abbandonarsi in pieno alla malinconia
che impregna 'Mecha', risultando un esperimento musicalmente forse non
riuscitissimo (alcuni strumenti midi a volte suonano piuttosto plasticosi),
ma che rimane un album davvero interessante, dal buon ritmo e produzione.
Chi l'avrebbe mai detto!
~ Damiano Gerli, Kathodik