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Cartoonist
Interview with Peter Kuper June 2016 Name: Peter Kuper
City: New York, NY Comics: World War 3 Illustrated, Mad, Bleeding Heart, Eye of the Beholder, & a bunch of books most recently Ruins. Websites: peterkuper.com, Drawger QRD – How old were you when you first got into comics & did you always stick with them or did you come back to them? Peter – My first I was about 7. I never really left after that. QRD – What was the first comic book you ever bought? Peter – Thor by Lee & Kirby & Turok Son of Stone. QRD – How old were you when you put out your first comic? Peter – I did a fanzine with my friend Seth Tobocman when we were 11. QRD – What decade do you think produced the best comics? Peter – The 1990s & now. Not to ignore EC comics & many of the undergrounds... QRD – Why comics instead of just writing or drawing? Peter – Killer combo. QRD – Do you see mini-comics & indie comics as paths to mainstream comics or as their own unique media? Peter – Both, if by mainstream you mean published by say, Random House, & sold in bookstores & seen in libraries QRD – How many copies of your comic do you print in your first run? Peter – It has varied from 100-5000 QRD – How much do you think comics should cost? Peter – A round number, $2-$5-$10. I hate making change. QRD – How many books do you produce a year & how many would you like to? Peter – Usually one hard cover & one floppy (World War 3 Illustrated being the floppy). QRD – Do you think stories should be serialized or delivered as complete works? Peter – I prefer the whole schmear. QRD – How are comic strips different than comic books & which medium do you prefer? Peter – Long form, short form. Both have their qualities QRD – How long is it from when you start a comic until it’s printed? Peter – Not a set period. I do things in one day that appear the next & things that take years. Once I finish a book with a bigger publisher there can be a wait of nearly a year before it’s released. QRD – What do you do better with your comics now than when you first started? Peter – Art & stories. Besides that, not much. QRD – Do you do thumbnails? Peter – Always. QRD – At what size do you draw? Peter – Thumbnails very small, sketch at 1/3 size, pencils at print size & finish 120% - 125% larger. QRD – What kind of pens do you use? Peter – Microns. QRD – What does your workstation look like? Peter – Controlled abandon. QRD – At what point in the artistic process do you work digitally? Peter – If I do at all, it is for the color. QRD – What do you think of digital comics & webcomics? Peter – I prefer hand drawn & print to all digital, but I’m a dinosaur. QRD – Do you prefer working in color or black & white? Peter – Depends on the story. Kafka - black & white, something about Mexico - full color. QRD – How many different people should work on a comic & what should their jobs be? Peter – Ideally one, but if there’s assistance scanning, stencil cutting, placement of text, & coloring with specific directions. QRD – How do you find collaborators? Peter – If it is a writer I look for someone who is dead (they don’t complain about my decisions). For assistance usually one of my students from the School of Visual Arts. QRD – How tight do you think a script should be as far as telling the artist what to draw? Peter – I worked with Alan Moore once from an amazingly tight script. I was fine with that once. Otherwise I prefer the dead with no suggestions. QRD – Do you think it’s important to have a full story arc completely written before starting to draw? Peter – No, but I like to have a pretty clear idea where I’m headed, then change as I go along. QRD – What comic book person would you be most flattered to be compared to? Peter – Harvey Kurtzman. QRD – What do your friends & family think of your comics? Peter – The ones that haven’t disowned me like them okay. QRD – What do you think of superheroes? Peter – They punch better than alternative cartoonists. QRD – Marvel or DC? Peter – Not much - unless they give me work on some oddball job. Then they are A-O-K. QRD – What comic characters other than your own would you like to work with? Peter – Spy vs Spy. That’s remained true for 20 years. QRD – Ideally would you self-publish? Peter – Ideally I have full control & make all the money while someone else deals with all the headaches of finances, printing, & distribution. QRD – What conventions do you try to attend & why? Peter – Comic Con, Mocca, NY Comic Con. Why???? I ask myself every time I go. QRD – How do you feel about doing work for anthologies? Peter – Love them - much of my favorite work is for anthologies - WW3, Blab! etc. etc. QRD – What do you do to promote your books? Peter – I hate promo, but do as much as I can stomach. Book signing, literary festivals, stupid Twitter & Facebook, art exhibitions & on & on. QRD – Do you think your comics are well suited to comic shops or would sell better elsewhere? Peter – Not particularly suited to comic shops especially these days. I’d prefer record stores, but there’s the minor problem of them being non-existent for the most part. QRD – What other medium would you like to see some of your comics made into (television, film, games, action figures, etc.)? Peter – Done a bit of all. I’m sticking to good ol’ print books. QRD – Do you consider yourself a comic collector or a comic reader or both? Peter – Both, but my wife tries to block anymore from entering our apartment given how many I already have, so I tend to be a library fan. QRD – What do you see as the most viable mediums for comics distribution 10 years from now? Peter – Drones. QRD – What would you like to see more people doing with comics? Peter – Reading them. Sending me money so I can make more of them.
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