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Comic
Ceator Interview
with Max de Radiguès of Rough Age & Moose April 2015 City: Brussels, Belgium Comics: In English: Rough Age (One percent Press), Moose (Conundrum Press), Bastard (Oily comics). More in French here: http://www.maxderadigues.com/bibliographie Websites: maxderadigues.com - http://maxderadigues.tumblr.com - http://www.employe-du-moi.org QRD – How old were you when you first got into comics & did you always stick with them or did you come back to them? Max – I’m from Belgium so reading comics is part of the culture. In every house there’s some Hergé, Fanquin, Peyo… I’m quite fed up of Tintin because it’s everywhere & doesn’t leave a lot of room for anything else in the comics landscape here. But all those guys are masters ! QRD – What was the first comic book you ever bought? Max – A Tintin? A Spirou & Fantasio? Gaston? QRD – How old were you when you put out your first comic? Max – I did comics as a kid with friends. But my "real" first zine was when I was 20 years old & my first book when I was 24. QRD – What decade do you think produced the best comics? Max – Any of them… The end of the nineties & beginning of the two-thousands were a big boom for indy comics in Belgium & France. A lot happened… QRD – Why comics instead of just writing or drawing? Max – I don’t feel like a drawer. My drawing isn’t my best skill. Nor is writing. Only when I combined the two did I find a way to tell stories & have fun telling them. QRD – Do you see mini-comics & indie comics as paths to mainstream comics or as their own unique media? Max – It can of course be a path to mainstream. It always depends on what you want. QRD – How many copies of your comic do you print in your first run? Max – For my zines, always a hundred. When I make books, it depends… between 600 & 3000 copies. QRD – How much do you think comics should cost? Max – Enough for everyone to make a little bit of money… I would say a reasonable price regarding what kind of object you’re selling. QRD – How many books do you produce a year & how many would you like to? Max – Around 10 zines & 1 book. I always wish to make more of course… QRD – Do you think stories should be serialized or delivered as complete works? Max – It depends on the project. I have fun doing both. QRD – How are comic strips different than comic books & which medium do you prefer? Max – That doesn’t really apply to me in Belgium… QRD – How long is it from when you start a comic until it’s printed? Max – Around a year, a year & a half. QRD – What do you do better with your comics now than when you first started? Max – I draw a little better. But I hope all my skills are improving. They will never be good enough, but that’s what keeps you going… QRD – Do you do thumbnails? Max – Yeah, always in sketchbook. It’s very rough, only I can read it, but it helps me. Sometimes I only thumbnail a sequence at a time & sometimes I do the whole book before starting to do some final pages. QRD – At what size do you draw? Max – Nearly the same as the print size. Slightly bigger. QRD – What kind of pens do you use? Max – Always the Bic Atome nib. It’s the cheapest & works fine for me…. QRD – What does your workstation look like? Max – My desk is pretty organized & tidy. But the wall behind me is a mess full of pages, notes.… QRD – At what point in the artistic process do you work digitally? Max – Usually just to make some corrections, add colors, or black. QRD – What do you think of digital comics & webcomics? Max – We all have to look into it. I don’t think it will replace traditional paper comics, but be along side it. I still wait for someone to make something really interesting with digital comics. A lot of what I see isn’t better that what people use to do for a CD-Rom.... My friends Sacha Goerg did some really cool Turbomedia that makes you think a lot of possibilities that remain to be discovered. QRD – Do you prefer working in color or black & white? Max – It depends on the project. But I tend more naturally towards black & white. QRD – How tight do you think a script should be as far as telling the artist what to draw? Max – The fun part for a cartoonist is to layout the pages. When I do a script I try to be as loose as possible to leave enough room for the drawer. It’s not a collaboration if he only executes what you said. QRD – Do you think it’s important to have a full story arc completely written before starting to draw? Max – No. QRD – What comic book person would you be most flattered to be compared to? Max – Trondheim? Hergé? Porcellino? QRD – What do your friends & family think of your comics? Max – It was weird to understand for some of them in the beginning… But most of them were always really cool about it. Everybody likes to have a friend or a member of family who is a cartoonist, no? QRD – What do you think of superheroes? Max – I only see them in movies…. So, nothing…. QRD – What comic characters other than your own would you like to work with? Max – Nancy. QRD – What do you do to promote your books? Max – Facebook, Twitter, conventions, signings.… QRD – Do you think your comics are well suited to comic shops or would sell better elsewhere? Max – The best are independent bookstores that don’t sell only comics, general bookstores. QRD – What other medium would you like to see some of your comics made into (television, film, games, action figures, etc.)? Max – A movie would be great! QRD – Do you consider yourself a comic collector or a comic reader or both? Max – A reader. QRD – What do you see as the most viable mediums for comics distribution 10 years from now? Max – self-distribution, maybe? That would be fun…. QRD – What would you like to see more people doing with comics? Max – Telling good stories! QRD – Anything else? Max – I work in a studio with eight other cartoonists. It’s a very important for me…. Even if I work on a project on my own, it’s nice to be out of the house & exchange with others….
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