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Indie
Comic Creator Interview
with Andrew Moran March 2014 Name: Andrew Moran City: Brentwood, NY Comics: Book of Horror #1(Red Moon Features), Memoirs of the Mysterious #1, Strange Stories #4 (Pronto Comics), Cry Havoc (Creative Alliance Media) Websites: adrianabyss.deviantart.com QRD – How old were you when you first got into comics & did you always stick with them or did you come back to them? Andrew – Around 10 or 11 yrs old for a few years. I came back to them around age 30. QRD – What was the first comic book you ever bought? Andrew – Wolverine #11(first monthly series ,1980s). QRD – How old were you when you put out your first comic? Andrew – 31. QRD – What decade do you think produced the best comics? Andrew – I have to say the 1980s. I miss baxter paper, & The X-Men saw some amazing storylines & additions to the roster. QRD – Why comics instead of just writing or drawing? Andrew – More broad medium of expression. QRD – Do you see mini-comics & indie comics as paths to mainstream comics or as their own unique media? Andrew – They can be, but I’ve heard the term “comic renaissance” used. I think indy comics are responsible for this. QRD – How much do you think comics should cost? Andrew – I think they are fine the way they are, but 3.99 or 5.00 is too much for me. I like 2.99 comics. QRD – How many books do you produce a year & how many would you like to? Andrew – 1 to 2. I’m fine with that. QRD – Do you think stories should be serialized or delivered as complete works? Andrew – It depends on the story. They have been condensing serials into larger collections, which I like. QRD – How are comic strips different than comic books & which medium do you prefer? Andrew – Strips are nice, but are like a tease, or for a Sunday morning breakfast. I like more story. QRD – How long is it from when you start a comic until it’s printed? Andrew – 6 months to a year. QRD – What do you do better with your comics now than when you first started? Andrew – The work is starting to look like one artist instead of 4 different ones. I think my panel layout has gotten better too. QRD – Do you do thumbnails? Andrew – No. But I do spend time on character design. QRD – At what size do you draw? Andrew – I recently made the jump to 11x 17 art boards in 2014. QRD – What kind of pens do you use? Andrew – 0.7 Sakura mech pencil, Sensei & Micron pens, & a #5 or #10 spotter brush for inking with Sumi ink. QRD – What does your workstation look like? Andrew – A mess right now. But it’s a computer desk with a flat monitor set back, speakers on the shelf with some model robots. QRD – At what point in the artistic process do you work digitally? Andrew – I ink over my pencils, then scan into Photoshop & color & letter there. QRD – What do you think of digital comics & webcomics? Andrew – I am fearful of hard copies becoming extinct. I would like to see them work hand in hand. QRD – Do you prefer working in color or black & white? Andrew – So far all of my real work has been b+w & I love it, but I am looking forward to using color. QRD – How many different people should work on a comic & what should their jobs be? Andrew – It depends. Too many chefs spoil the stew, but many hands make light work. If there is balance & good communication, great stories & art is made. QRD – How do you find collaborators? Andrew – At first Craigslist & Deviant Art. Then I discovered Facebook. QRD – How tight do you think a script should be as far as telling the artist what to draw? Andrew – Again it depends on dynamics between collaborators, subject matter, etc. If a writer has strong skills & a great idea/ story, then he should try to convey that in the script & tell the artist where to make adjustments. But flexibility is nice & helps the work become pleasurable. QRD – What comic book person would you be most flattered to be compared to? Andrew – Matteo Scalera or Jason Pearson. QRD – What do your friends & family think of your comics? Andrew – In the comic community it is hard to garner praise. You have to be a personable individual & communicate well. The ordinary people in my life don’t really get it. So I guess modest success/praise. QRD – What do you think of superheroes? Andrew – They’re okay, but as Harvey Pekar said, so much can be done with comics. I like them as long as they don’t have capes. Unless it’s Dracula. He can wear a cape. QRD – Marvel or DC? Andrew – Marvel. QRD – What comic characters other than your own would you like to work with? Andrew – Deadpool, Omega Red, Simon Belmont. QRD – Ideally would you self-publish? Andrew – Yes. QRD – What conventions do you try to attend & why? Andrew – ICON & NYCC. To hopefully gain recognition & fans. QRD – How do you feel about doing work for anthologies? Andrew – I like it. QRD – What do you do to promote your books? Andrew – Post on Facebook. QRD – Do you think your comics are well suited to comic shops or would sell better elsewhere? Andrew – Shops are pretty much dominated by Marvel, DC, & Image. I don’t think any one would find my one book, let alone buy it there. Amazon or IndyPlanet would be better. QRD – What other medium would you like to see some of your comics made into (television, film, games, action figures, etc.)? Andrew – Toys would be great. An anime would be nice too, but I don’t know if I’m that ambitious. QRD – Do you consider yourself a comic collector or a comic reader or both? Andrew – A reader? Last one I bought because I knew the artist. I have read a hardcover Gundam manga almost completely, but stopped because I feel any further comic reading may affect my style or where I’m at currently with my work. QRD – What do you see as the most viable mediums for comics distribution 10 years from now? Andrew – E-readers unfortunately. QRD – What would you like to see more people doing with comics? Andrew – Giant robot or american with japanese influence. QRD – Anything else? Andrew – Thanks for your interest in my artistic endeavors. It is something I am rabidly passionate about & it feels good to tell someone about it.
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