QRD - Current Issue   About QRD   QRD Archives
QRD #63 - Guitarist Interview Series IX
QRD - Thanks for your interest & support
about this issue
Guitarist Interviews:
Chris Vaisvil
David M Birchall
Stef Ketteringham
Patrick Ogle
Xavier Watkins
Bill Berends
Todd Hawthorne
Michael Clamp
Eric Bessel
Benjamin Løzninger
Benjamin Duvall
Tom Lugo
Peter Bingham
QRD - Advertise
Silber Records
Twitter
Silber Button Factory
facebook
blondena
Silber Kickstarter
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Bill Berends
Guitarist Interview with Bill Berends of Mastermind
May 2013
Bill Berends
Name: Bill Berends
Bands: Mastermind, The Berends Brothers Band, Treasures of the Spirit
Websites: billberends.commastermindband.comberendsbrosband.com

QRD – What was your first guitar & what happened to it?

Bill – My very first guitar was a cheap, no name acoustic. The neck broke off when one of my brothers sat on it. My first “real” guitar was a Harmony F-hole archtop acoustic. I picked it out because it wasn’t so cowboy singer-songwriter looking. I sold it to my bass player (Kip Leming, Riot) & he still has it as far as I know.  My first electric guitar was a 1968 Gibson SG Standard, which I still have & play to this day. My parents got it for me new in 1968. They thought it would keep me out of trouble, which it probably did!

QRD – What’s your typical set-up from guitar to effects to amplifier?

Bill – Guitar -> wire - > amp. I have dabbled with effects over the years, such as ring modulators, which can be heard on the Mastermind Excelsior! album, but my basic guitar sound has always been guitar-wire-amp. I rarely ever use pedals to “get a sound”, but only occasionally for special effects. With my band Mastermind I also used a guitar synthesizer, but that plays along side, or along with, the natural guitar sound like a second instrument. On occasion, depending on the gig - like the Mahavishnu band I play with - I will use a passive volume pedal. I have a tuner inline these days, but no effects that change the sound. Don’t need them, don’t care for them much, & they’re too much hassle.

QRD – What’s the most important part of your rig - guitar, amplifier, or effects?

Bill – My hands of course! Then the guitar & amp. A good quality wire or wireless is also helpful.

QRD – What’s your main amplifier & why?

Bill – I’ve been playing a 100 watt Marshall JCM800 exclusively since I got in 1986. Why? Because it sounds great & has THAT sound I like so much. Depending on the gig, I will play it thru a full stack, half stack, or 2x12 Marshall cabinets. In my world there are two kinds of amps... Marshalls & not-Marshalls. I use Marshalls exclusively because of their distinctive sound, touch, & legacy.

QRD – What’s your main guitar & what are the features that make it such?

Bill – For 35 years or so I played my 1968 Gibson SG Standard exclusively. It was the only electric guitar I owned! It’s been around the world with me & is the primary guitar I used on all Mastermind albums to date. It’s just a great sounding & playing guitar & easy access to the upper frets is a nice feature as well. The Gibson SG was THE sound of rock in my formative years.

QRD – If you had a signature guitar, what would it look like & what would some of its features be?

Bill – It would be a Gibson, of course. An SG, no doubt since that is what I am most known for playing. It would be very close to the original ‘61 SG with a slightly different neck, more suited to my hands & playing style. A bit narrower & more rounded than your typical Gibson ‘60’s slim taper necks.

QRD – If you had a signature pedal, what would it be & what would some of its features be?

Bill – A box that makes any other amp sound like my Marshall!  What I would really like to see though is some advancement in guitar synthesizer technologies. If they can build a modeling guitar that simulates other guitars, why can’t they make a guitar that models a Moog synthesizer?

QRD – How many guitars do you own?

Bill – It varies as guitars come & go, but I am down to about three that I play all the time.

QRD – How & where do you store your guitars?

Bill – I leave them out generally, so I can pick one up & play anytime I like. Looking at them inspires me. When I store them they are locked away securely in a vault.

QRD – What do you wish guitar cases had that they usually don’t?

Bill – The new Gibson smell? A really good lock. Anti-gravity pads!

QRD – What features do you look for when buying a guitar?

Bill – The Gibson logo, the sound, & playability.

QRD – How much do you think a good guitar should cost?

Bill – As much as it takes I suppose. I have come to appreciate that expensive guitars do indeed play & sound much better. That generally tends to be well over $2,000 & often quite a lot more.

QRD – Do you upgrade & customize your guitars or just stick with what you get?

Bill – It depends on the guitar. I am not afraid to customize a guitar & with some lower end Epiphones I’ve owned over the years, I upgraded them with proper Gibson pickups & electronics. Generally speaking, these days, I just want to buy a stock guitar & have it be what I want it to be. I do tend to put Grover tuners on all my guitars.

QRD – How thoroughly do you research or test a piece of equipment before buying it?

Bill – Not so much. I read about something & if it appeals to me, then I go try it out in a store.

QRD – Do you change your rig around often?

Bill – Not at all. I’ve been using the same basic setup all of my life... a Gibson guitar plugged into a Marshall amp. With the synthesizer rig, I have reduced it in size over time. I haven’t used it at all these past couple years.

QRD – Are you after one particular guitar tone & locking into it, or do you like to change your tone around a lot?

Bill – I like all the variations of the classic Gibson-Marshall sound. Les Pauls, SGs, 335s, they all sound a bit different & I can easily get the variations in sound I want from them simply by turning the volume & tone knobs on the instrument.

QRD – What are some guitars, amps, & pedals you particularly lust after?

Bill – I don’t really lust after gear, but I would love to have some Gibson Custom Shop Historic reissues & more classic Marshall amps. I’ve also been acquiring some lower wattage amps for recording. Marshalls of course... & one little Fender for variation.

QRD – What do you think are some important features to be on a person’s first guitar that aren’t always there?

Bill – Decent action & proper intonation are critical.

QRD – What have been the best & worst guitar related purchases you’ve made?

Bill – I only purchase Gibson guitars basically & they’ve all been wonderful. I really *love* my new 2012 Les Paul Standard. So much so I want another one. I’ve bought & traded a few others along the way looking for the ones that suit me the most. The only issue I’ve had with a guitar purchase was a new 2013 white SG Standard on which the white started turning pink around the edges. I took it back to the store & traded it for the used ‘61 Reissue SG, which is a superior instrument. Better wood I think. One purchase that pleased me is an inexpensive little Epiphone SG Junior I picked up on a whim. Indonesian made, it’s TV Yellow, which I have a weakness for, & was only $119... for that price it’s an amazing little guitar! I keep it laying about the house all the time & pick it up quite often. It kind of feels like a toy compared to the real Gibsons, so not something I would use on stage probably, but you never know. Still in all, it sounds pretty good, especially after I upgraded the pickup.

QRD – What are some effect, amp, & guitar brands you particularly like or dis-like & why?

Bill – In case you haven’t figured it out by now, I am a Gibson guitar & Marshall amp fan. This is the sound of rock to my ear & how a guitar should sound. I really do not like the over-compressed nasally midrange sound of a lot of modern players - especially metal guys & shredders. It sounds fake to me... the sound of a circuit board or worse, digital modeling. I hate Line 6 & digital amp emulators with a passion. They sound like razor blades on my ears & even if they get manage to get close, sound-wise, the touch is nothing like a real guitar through a good amp.

QRD – What’s the first thing you play when you pick up a guitar?

Bill – I dunno... some blues lick probably, around the 3rd or 5th frets.

QRD – How old were you when you started playing guitar?

Bill – I started dabbling with the guitar when I was 10 or 11 years old, but I got very serious about learning to play when I was 13 years old... after I heard Cream. That blew my mind.

QRD – At what age do you think you leveled up to your best guitar playing?

Bill – I’m a better player now than I’ve ever been, I think.

QRD – Why do you think a guitar fits you more so than other instruments?

Bill – Because I can play it! LOL... I started off wanting to play piano, but I have a brother who was way ahead of me, so I turned to the guitar. I still play some keyboards & have a great appreciation for keyboard oriented rock music, like Emerson, Lake & Palmer who didn’t even have a guitarist. They are/were one of my favorite bands. I also have a passion for cello, such a soulful, expressive instrument.

QRD – Do you think guitar should be people’s first instrument as often as it is?

Bill – No! The world needs more keyboard players!!

QRD – Do you see your guitar as your ally or adversary in making music?

Bill – A little of both.

QRD – Who are the guitarists that most influenced your playing & sound?

Bill – Eric Clapton with Cream (but not after). Alvin Lee. John McLaughlin with The Mahavishnu Orchestra. These guys influenced & inspired me the most, especially in the beginning.

QRD – Do you think people anthropomorphizing their guitars is natural or silly (e.g. naming their guitar)?

Bill – I think it’s silly. My guitars don’t have names & I don’t refer to them as “she” or “her” either. That makes me crazy. It’s just a thing. An “it.”

QRD – What’s the most physical damage you’ve done to a guitar & how did you do it?

Bill – The finish on my ‘68 SG is all but worn away to nothing. I did it by playing the shit out of it for 45+ years.

QRD – What do you do to practice other than simply playing?

Bill – I generally just sit down & play music. Whatever strikes me. Sometimes I will work on scales or difficult fingerings to warm up for a particularly challenging task or gig. The past few years I’ve been playing with a Mahavishnu Orchestra tribute band called Treasures of the Spirit & that requires some warming up & practicing scales to be able to pull that stuff off. I play along with the TV or the radio... I just like to play all the time!

QRD – How many hours a week do you play guitar & how many hours would you like to?

Bill – I generally get in at least 3 or 4 hours of playing every day. Sometimes more, sometimes less.

QRD – What type of pick do you use & why?

Bill – Fender heavy picks. I like the way they feel & have used them my whole life.

QRD – What gauge strings do you use & why?

Bill – D’Addario regular XL nickel wound .10 thru .46 gauge.

QRD – How often do you change strings?

Bill – I used to change them all the time, before every gig... but that was when I only owned one guitar. Now I keep them on a bit longer, a month or two perhaps.  I change them when they start to feel dead, lose intonation, or get fret notches in them.

QRD – How often do you break strings?

Bill – Almost never. In the past 10 years I can only recall breaking a string on stage twice. If they are going to break, they generally break right when I put them on. That has happened more times than I care to think about. I even complained to D’Addario about it & they sent me a bunch of strings, free, which was nice of them.

QRD – Which do you feel is more proficient, your strumming hand or fretting hand & how does that effect your style?

Bill – I tend to work more on picking than fingering, from a strictly technical perspective. Picking every note cleanly at high velocity can be quite challenging & still frustrates me at times.

QRD – Do you set-up your guitar yourself or send it to a guitar tech (or not set it up at all) & why?

Bill – I do it all myself, always have. Why? Because it’s easy to do & a lot cheaper! Plus I generally don’t like other people handling my instruments, getting their greasy DNA on them. Yuck.

QRD – What tunings do you use & why?

Bill – Regular standard tuning. Why? Because that’s how a guitar is tuned. I’ve spent my whole life with those pitches in those places & don’t have any desire or need to change. I owned a 7-string for a little while to experiment with some lower tunings & I mastered it pretty well - you can hear it on the Mastermind Insomnia album - but it wasn’t me & I sold it. Plus it was an Ibanez... yuck.

QRD – Do you prefer tablature, sheet music, or some other notation system for writing down your own ideas?

Bill – I usually record ideas when I get them. I started off life sight-reading, but had such little use for it over the years that it is a skill that has been sadly neglected. At this point in life I wish I had kept up with it.  If I am looking at some guitar magazine or something, I look at the tablature because that tells you where to play the notes. Unlike some instruments, you can play the same note in several different places on a guitar, so ordinary sheet music isn’t really adequate for guitar, I don’t think.

QRD – How high do you hold your guitar when playing (strap length)?

Bill – Somewhere around mid-belly. I think holding a guitar down around your crotch looks both retarded (orangutan arms) & is really difficult to play. It puts undue amount of strain on your wrist. Damn you, Jimmy Page!

QRD – What’s a bad habit in your playing you wish you could break?

Bill – Not getting paid enough to perform.

QRD – Playing what other instrument do you think can most help someone’s guitar playing?

Bill – Piano. The keyboard is the heart of western music & is a great way to learn how music theory works.

QRD – What’s a type of guitar playing you wish you could do that you can’t?

Bill – Be-bop jazz.

QRD – What’s a guitar goal you’ve never accomplished?

Bill – Becoming a millionaire.

QRD – What’s the last guitar trick you learned?

Bill – Can’t think of any. Not really into tricks or “stunt guitar”, as Frank Zappa called it. I just play.

QRD – What’s your favorite guitar gadget (ebow, capo, slide, string cutter, etc)?

Bill – I like those new Dunlop Ergo Lok-Strap things. A strap lock you can use without changing the strap pins on the guitar is a great idea, & they’re much more inexpensive than other systems. So far I’m very pleased with them.

QRD – What’s a guitar technique you’d like to master, but haven’t?

Bill – Making big money.

QRD – Did you ever take guitar lessons & if so, what did you learn from them?

Bill – I took guitar lessons for a few months when I was a kid. Since the teacher played accordion & not guitar, I mostly learned sight-reading. I figured out the guitar on my own! I took some jazz-improv courses in college too. I also studied synthesizers at Princeton University, way back when they were something new.

QRD – What would you teach someone in a guitar lesson that you don’t think they would generally get from a guitar teacher?

Bill – How to make one single note sound good & the importance of actually having something to say on your instrument.

QRD – What’s something someone would have to do to emulate your style?

Bill – Buy a Gibson guitar & Marshall amp & listen to old Cream & Mahavishnu records.

QRD – What’s your take on tremolo systems?

Bill – I
don’t use one & think most people who do, over use them. I wouldn’t mind having one guitar with a Bigsby, but have no interest in the dive bomb stuff & adjusting little screws, springs & clamps. What a nightmare.

QRD – How often do you adjust your tone knob?

Bill – Constantly.

QRD – What do you see as the difference between lead guitar & rhythm guitar players?

Bill – A good guitarist should learn to be a good rhythm guitarist first.

QRD – If a band has good guitar work, can you ignore the rest of the band not being good?

Bill – No, of course not! I don’t generally listen to music exclusively for the guitar, although the guitarist better be good when there is one. At least interesting.

QRD – What famous musician’s guitar would you like to own & why?

Bill – Whomever’s I could sell for the most amount of cash! Pretty self-explanatory. I don’t really care about famous memorabilia. 

QRD – Who do you think is currently the most innovative guitar player & why?

Bill – Don’t know. I really don’t care about innovation as much as I care about being moved on an emotional level. There are tons of guys out there now who are mind-boggling technicians that just leave me cold.

QRD – Where can people hear your best guitar work?

Bill – On my albums & at my shows!!  I just released a new solo album called In My Dreams I Can Fly (2012) that has some nice rock playing on it. Listen to the Mastermind catalog for more fusiony & progressive stuff.

QRD – Anything else?

Bill – Buy my albums & come to the shows! LOL... thanks!!