For the longest time I was a firm believer in Roland’s JC-120. Most of
the guitar sounds I loved growing up roared & chimed through it
& then later the Fender Twin Reverb caught my
attention. Always a 2X12 combo of sorts. After
hauling that around the eastern seaboard, up & down stairs or
over gravel lots to & fro the back of the van I finally broke
down & decided that I needed to go smaller without sacrificing
sound. Realistically, I never needed half the power of the
JC-120 playing in small to midsize clubs & often would be
harassed by our vocalist to keep the volume down. So, I put
together a travel friendly setup.
It all started with Electro Harmonix
Magnum 44 power amp pedal. This little amp that fits onto my
Pedal
Train 2 board, gets as loud as I require & much like the
JC-120,
I’ve rarely ever had to crank it past the 15% mark. As the
name
indicates, it’s 44 watts & pushes out to either 8 or 16 ohm
speakers, they make a cheaper 22 watt pedal called the 22 Caliber as
well. From my experience, it has a good solid tone with no
frills
except a switch for bright or normal.
The Magnum powers a Fender Superchamp 1X12 cab. This cab
maintains a good solid tone from the Magnum 44 & keeps in line
with big sounds out of a small & light package. On my
recent shot out to the west coast, I shoved this cab into a large
suitcase & packed my clothes around it & not only was
it easy to wheel around, it still kept me within the bounds of
allowable weight for luggage & I didn’t have to pay an extra
$25 or $50 baggage fee. Similarly, I live in a city &
this amp would fit nicely into a granny cart if you needed to travel by
foot & if worse came to worse, it’s not so heavy that you
couldn’t carry it by the attached handle a few blocks or on the
subway. The downside to this cab is that it’s just got one
input & can’t be daisy chained if I wanted to start using a
2x12 set up again for stereo effect. It also doesn’t seem
like I’d be able to take the backing off, as it seems to be one solid
back piece with the input jack attached.
Since the Magnum only consists of a
volume knob & a brightness
switch. The next two pedals needed to be thrown into the mix
to sweeten things up. First, EQ is being done by a 6 channel
MXR EQ - I think I prefer knobs, but this pedal does the job.
It also offers more control since you can bring down specific ranges of
your tone. It definitely comes in handy. The
Electro Harmonix LPB2ube is a tube preamp that sweetens &
strengthens the tone by adding some tube drive & having two
channels, I attached an AB switch so I can use one channel clean
& one channel as a tube overdrive. The only annoying
bit about this pedal is having to use the power supply that it comes
with instead of powering if off of a brick supply. It has a
lo & hi input knob, which comes in handy when I switch off
between the Metropolitan & the Fender. The Metro
comes in hot so switching the knob to Hi input dials it back without
having to adjust the volume/drive settings.
That completes the basic sound of my “amp” or rig or whatever you want
to call it but how can you have a setup without a tuner? I’ve
recently come to favor TC Electronics as a good mid/low-priced
pedal. It started with the Polytune mini. Very
small, very accurate & I can check the tuning of all 6 strings
at once. & did I mention very small? My smart phone is larger
than this tuner, let us not forget that it’s also “true
bypass”. This starts my effects loop & I run it into
a Crybaby Wah, which I may replace with something nicer or at least
less beat up. I have a fuzz pedal for the big wall of sound
power bits of our songs & I used to use an EH Big Muff Pi; but,
as the name suggests, it was big & took up a lot of real estate
on the pedal board. In the past, I had replaced my EH Holy Grail
(reverb) pedal with the Holy Grail Nano & while it was a decent
pedal, it just didn’t perform to my liking & I didn’t want to
go through that disappointment with the Nano version of the
Muff. So I went with a clone version of a Big Muff. Fit into
a typical square pedal casing about the size of an MXR. It
nicely fits the layout of my pedal board & is practically as
powerful as the EH Big Muff Pi. I’ll admit it doesn’t have
quite the low grumble of the EH pedal, but it’s close & the
benefit of the small chassis is definitely worth the slight loss of low
end.
My last remaining BOSS pedal, is the
Tremolo/Pan PN-2. It may
no longer be in production. It’s at times a very important part of my
setup (see Plumerai songs “Six Ton Gorilla”/“Empty Graves”/“Intangible”
for example). However, since upgrading a few of my other BOSS
pedals, I can now really hear the tone suck when I click it on,
especially in the low ranges. Which means the clock is
ticking on when the PN-2 gets replaced.
Part of the reason I’m practically
BOSS free these days is my discovery
of TC Electronic. I used to not be able to part with my Boss
Delays until I found this nice decently priced replacement.
While I would love an analog delay, they’re just not versatile enough
for me, especially with my occasional foray into more
experimental/looped/droney territory like on the Goddakk
records. But this pedal the Flashback has everything I need
in the delay as well as a looping function. So it’s like I
lost one pedal, but gained two. It has a multitude of
settings, analog, tape, reverse etc…. So there’s more of a
variety of sounds than the Boss & it doesn’t suck your tone
like the Boss does. The Flashback also makes use of
Toneprint, which is a setting on the pedal where I can download from
the interwebs or straight from my smartphone a delay sound designed by
some celebrity guitarist. Unfortunately the pedal is geared
toward the Guitar Center crowd so most of the tone prints &
advertising sort of turns me off as I’m not a fan of Dream Theater or
Santana, but it’s a nice feature because if I get bored with the pedal
I can download a new setting to tinker with. This pedal is a
great versatile delay to have & when you’re lugging around all
your gear, it’s nice to not have to carry around multiple pedals to do
similar jobs or to have to switch out pedals depending on the gig or
the song. There’s also a switch to choose one of three types
of delay repeats, half note, quarter note, & a combination so
you have a bit more options as to the rhythmic pattern of your delay.
Similarly, I also switched out the
aforementioned EH Holy Grail Nano
with a TC Electronic Hall of Fame Reverb Pedal. I started with the Holy
Grail when my JC-120’s reverb stopped working. It was a nice
time while it lasted, but eventually the pedal started squealing at
random intervals. So out with the Holy Grail in with the Holy
Grail Nano. I read that it was very close in sound to its
bigger counterpart. While that may be true, I felt that there
was a range of effect missing from the Nano. So my sound was
either too dry or too wet & that sweet spot could never be
found. So, I moved on to another TC Electronic
pedal. Like the Flashback, there’s a multitude of Reverb
types on the Hall of Fame & it’s also equipped with TonePrint
& is true bypass. Sometimes it’s like having a rack
multi-unit, but without the horrible sound quality of Line 6 &
all with the compact & ease of use as a Boss or EH.
All of this fits neatly onto one Pedal Train 2 board with a power brick
secured underneath. So as a traveling man, you have your
guitars on your back, pedals in one hand & cab in the
other. The recent west coast tour saw the cab being
checked-in & the pedals in the overhead bin. In a
van, the setup leaves room for your bassist to bring their 6 foot Ampeg
cab that is going to be bigger than the stage you’re playing on
& if you’re playing places that are backlined, you’ll have your
sound that you can power their cab with instead of dealing with a beat
up Marshall stack from 1984 with missing knobs & a channel
button stuck or not working. While I don’t pretend that this
sound surpasses or is even equivalent to buying a Fender Twin Reverb or
Vox or what have you, chances are for a live/touring scenario, you’ll
be happier you didn’t lug a big heavy amp down the stairs into a
basement club & back again. As an added bonus each
component is approximately $150 give or take, so if it craps the bed
you can just replace the one component without having to shell out
$600+ to acquire the same or similar model amp at the last minute to
continue a tour.
Only hours off the plane, here’s this rig in action (minus the TC
Electronic components at the time I was using the BOSS DD5 & EH
Holy Grail Nano). Take into consideration this is recorded
through horrible camcorder mic.