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Bassist
Interview with Brian Preston
October 2010 Bands: 2009-Current: George/Preston/Herrett 2007-Current: King/Preston 2006-2008: Kinetic Union Jazz Orchestra 2003-2006: Groove Stream Attractor 1999-2008: Onomata 1994-2003: Smokin’ Granny 1990-1995: Messablues 1985-1990: Freehand 1982-1984: Daily Planet Websites: www.myspace.com/metaphoricmusic, www.myspace.com/georgeprestonherrett, www.facebook.com/georgeprestonherrett, www.facebook.com/kingpreston, www.myspace.com/smokingrannyband, www.myspace.com/freehandprogrock, www.myspace.com/onomata QRD – What was your first bass & what happened to it? Brian – A Fender Precision fretless! I still have it (but play it rarely). My second bass was a Fender Telecaster bass (1972) which I still have, but play rarely. That thing is a tank! QRD – What’s your typical set-up from bass to effects to amplifier? Brian – Very simple: Carvin 5 or 6 string fretless with active electronics into an Ernie Ball volume pedal, into a Digitech BP200 effects pedal, into an Electro Harmonix Memory Man pedal into a Hartke 3500 amp. Sometimes I use other preamps, but this is my typical live set-up currently. QRD – What’s the most important part of your rig – bass, amplifier, or effects? Brian – Well, I think its all important to get my sound... there are other basses, amps, & effects that I have played that could change the sound, but I think how the player emotes through string attack & note/rhythm choice may be most important. QRD – What’s your main amplifier & why? Brian – Hartke 3500. I like its power & preamp & EQ choices. It seems to emphasize the mid-range punch that I usually like. QRD – Do you prefer upright or electric bass? Brian – Electric, for sure. QRD – Do you prefer to use a pick, fingers, or a bow? Brian – I am 90% fingers. I can play with a plectrum very well; but for most of what I am doing now, I have more tonal choices at my fingertips, with my fingertips. QRD – How many strings do you think a bass should have? Brian – 3, 4, 5 or 6, of course! QRD – Why do you play bass instead of guitar? Brian – I like to move long waves. I also play guitar & drums; but my theory is, find musicians who are better at guitar & drums than me, then that leaves room for me to explore the bassment. Bass is the cement between rhythm & melody, so it is a perfect place for me. QRD – How is a bass different than a guitar other than being lower in pitch? Brian – It’s more physical, its heavier (figuratively & literally), but the real difference is in how a bassist hears the music & the most important thing is when not to play. Rests & space help cement & move the music forward. QRD – What’s your main bass & what are the features that make it such? Brian – Carvin LB20 (I think that is the model), 5 string, all Koa wood, neck through body, active electronics. QRD – What do you think of the thumb rests on some basses? Brian – I think some people may rest their thumbs there. QRD – If you had a signature bass, what would it look like & what would some of its features be? Brian – Oh wow, I have never thought about it so I I’m not sure. QRD – If you had a signature pedal, what would it be & what would some of its features be? Brian – Easy customization & arrangements of effects would be one thing... QRD – How many basses do you own? Brian – Four. QRD – How & where do you store your basses? Brian – In their cases in a closet. But I have had all four hanging as wall art at times.… QRD – What features do you look for when buying a bass? Brian – Feel & sound. Does it speak to me? QRD – How much do you think a good bass should cost? Brian – I guess more than $300. But less than $2,000. :) QRD – Do you upgrade & customize your bass or just stick with what you get? Brian – I modified my Telecaster when I got it in 1981. Never should have touched it! But I put a Badass bridge on & a jazz pick up too. Also stripped the finish... damn! QRD – Are you after one particular bass tone & locking into it, or do you like to change your tone around a lot? Brian – I am mainly using only my Carvins now. I just did a gig today & I only played the fretted 5 string as it has more of a rock sound than my fretless. QRD – What are some basses, amps, & pedals you particularly lust after? Brian – Ampeg amps. I played a G&L bass a few years ago that I loved. Roscoe fretless basses are incredible. I am sure there are many I would lust after if I let myself go there. QRD – What do you think are some important features to be on a person’s first bass that aren’t always there? Brian – It’s important not to start a young player out with a poor quality instrument. It would be better to borrow a nice instrument if you can’t buy at least a mid-grade instrument. If the neck & overall feel is poor, the beginner may get too frustrated & we want it to be a good experience. QRD – What have been the best & worst bass related purchases you’ve made? Brian – I like my Hartke amp & my classic Telecaster bass. The Carvins are very good. Worst was probably buying a folded horn design speaker cabinet when I was in my 20s... big damn thing that was just not practical - thank the gods that bass amp gear has gotten more compact over the years! QRD – What’s the first thing you play when you pick up a bass? Brian – Improvisation... QRD – How old were you when you started playing bass? Brian – 19. I started on guitar at age 12, drums age 13, & bass came later. QRD – At what age do you think you leveled up to your best bass playing? Brian – Hmmmmmmmmmmmmmmm? Not quite sure what you mean here. QRD – Do you feel bass lines should echo & emphasize guitar & drum parts or be their own distinct elements? Brian – Different approaches for different feels... in improvisation you go to all those places & in-between. QRD – Would you rather people hear or feel your bass? Brian – Both. QRD – Why do you think a bass fits you more so than other instruments? Brian – Big fingers... simple melodies, drummer at heart.… QRD – Who are the bassists that most influenced your playing & sound? Brian – Geddy Lee, Chris Squire, Anthony Jackson, Percy Jones (Brand X), Ray Schulman (Gentle Giant), some Bill Laswell. QRD – What’s the most physical damage you’ve done to a bass & how did you do it? Brian – Stripping the finish off my telecaster!! QRD – What do you do to practice other than simply playing? Brian – Listen & think. QRD – How many hours a week do you play bass & how many hours would you like to? Brian – 4-6 hours. I’d like 8-12 hours maybe. QRD – What gauge strings do you use & why? Brian – Medium gauge - DRs. QRD – How often do you change strings? Brian – Not often enough – they’re expensive!! QRD – How often do you break strings? Brian – Almost never - not in 20 years. QRD – Which do you feel is more proficient, your strumming/bowing hand or fretting hand & how does that effect your style? Brian – Ah… interesting question. My picking hand as I use many different types of attack, edges, sweeps, pops, scrapes, mutes, etc., etc. in conjunction with fingering & fretting, sliding & muting... many possible textures! QRD – What tunings do you use & why? Brian – Standard on bass usually. QRD – What’s a bad habit in your playing you wish you could break? Brian – Slouching. QRD – Playing what other instrument do you think can most help someone’s bass playing? Brian – Drums!! QRD – What’s a type of bass playing you wish you could do that you can’t? Brian – Super fast complex fusion lines like those hot chop dudes! LOL QRD – What’s a bass goal you’ve never accomplished? Brian – Upright bass. QRD – What’s the last bass trick you learned? Brian – Using the third finger of picking hand to increase speed. QRD – Did you ever take bass lessons & if so, what did you learn from them? Brian – Yes, in college I took orchestra bass for one semester. I learned bowing technique, reading simple parts, proper posture, hand positioning... it was actually very helpful. Much later I took one lesson from a jazz player to walk through some jazz standard movements & patterns. QRD – What would you teach someone in a bass lesson that you don’t think they would generally get from a bass teacher? Brian – Humanism & satire. QRD – What’s something someone would have to do to emulate your style? Brian – Geeze... I don’t know... I would rather they develop their own sound. QRD – If a band has good bass work, can you ignore the rest of the band not being good? Brian – No! QRD – What famous musician’s bass would you like to own & why? Brian – One of Geddy’s or one of Chris Squire’s Rickenbackers would be cool! QRD – Who do you think is currently the most innovative bass player & why? Brian – Hadrien Feraud kills with John McLaughlin & my girl friend Mia says I should say Esperanza Spaulding too! QRD – Where can people hear your best bass work? Brian – A lot of the things with Onomata (6 string fretless), Smokin’ Granny, George-Preston-Herrett, Freehand, Daily Planet. QRD – Anything else? Brian –
Whew...! That was a lot of questions!
Thanks for your interest!
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