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| Jon DeRosa |
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Jon
DeRosa - Anchored
CD EP 2011 | Silber 103 4 tracks, 16 minutes $6 ($8 international, $3 download (320 kbps, ~35 megs)) : Listen to the track Anchored : Press release Track Listing: Anchored, Snow Coffin, Ladies in Love, Submarine Bells |
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Reviews: Jon DeRosa, whom most people might know from his project Aarktica, takes a musical break from his usual combination of dense guitar-driven ambient and indie rock songs and turns instead to more open and spacious compositions. The four richly arranged songs on this first eponymous EP build in part on the goth folk of Jon’s old project Dead Leaves Rising and the americana of Pale Horse and Rider, but mostly tread new ground. This EP is an example of wonderful the format can be; the freedom to really select a couple of excellent songs and present them without and filler material. The short duration is no obstacle, because this is one to just put on repeat and play often. The opening title track is a slow waltz on clean electric guitar, with Jon’s voice sounding warmer than ever. The song is supplemented with wonderful arrangements for strings (Julia Kent on cello) and horns (Jon Natchez), and the description of “chamber pop” as suggested by the label seems quite accurate. The following tracks offer many different highlights after this lovely opener. “Snow Coffin” is a very uplifting up-tempo track where the drums are a bit more prominent, marching proudly on like the soldier brother the song is dedicated to. We are also treated to wonderful double-voiced ending featuring Lorraine Lelis, a long-time Aarktica collaborator. The dark and gloomy acoustic “Ladies in Love” is almost a return to the folky stylings of Dead Leaves Rising, but with the maturity of over ten years of additional musical experience. The almost 17-minute EP ends with “Submarine Bells”, a cover taken from the 1990 album of the same name by The Chills. DeRosa stays pretty faithful to the lush orchestration of the original, but definitely makes it his own by virtue of his voice. Regardless, it is a wonderful composition, poetic and romantic, and the version on Anchored is more than worthy. Apart from the quality of the individual tracks, the best thing about this EP is how DeRosa effortlessly shifts musical gear and delivers a celebration of song in a very pure form. There aren’t that many concrete genre trappings here, though classic American pop from early last century is a prominent one, and it sounds perfectly at home in 2011, at least in this form. No need for any specific target-group recommendations here. This is simply a beautiful release, so go have a listen. I hope it is a precursor of more to come. ~ Evening of Light Jon DeRosa is releasing a 4-track EP in September and it's 16 minutes of pure beauty. He has a deep, solid voice & is mostly accompanied by guitar and the occasional violin. His serene voice and the expressive lyrics makes this a record i can play over and over again. Which i have done the last 3 dark nights in a row several times. It feels as the perfect Winter morning record, walking through snow while freezing my fingers off, yet keeping the ears and spirit warm with these perfectly crafted songs. Although Winter is a few months ahead of us, this record is well worth hearing right away. The EP is now up for pre-order, so do your best to get a copy of the limited number (500) of copies being printed. Send it over to Holland as soon as you have 'em Jon! ~ Plug In Baby Sometimes it seems lazy to compare artists to similar acts but at other times it would be almost irresponsible not to mention it. So whether it’s by acident or design, it’s almost impossible not to make comparisons between Jon DeRosa and Richard Hawley, even though these performers hail from Brooklyn and Sheffield, respectively. The resemblance is to the fore from the outset, courtesy of the ballad ‘Anchored’ where DeRosa croons in melancholic fashion above rich layers of instruments. ‘Snow Coffin’ moves in to mid-paced territory. So many artists use strings to embellish their songs but so often they merely serve to cover up failings on the songrwriting front. Here, they definitely complement the natural warmth of the song. ‘Ladies In Love’, on the other hand, recalls the elegant, urbane atmosphere of The Divine Comedy and it’s then left to ‘Submarine Bells’ (a cover of a track by The Chills) to provide the lullaby moment; the arrangements surrounding DeRosa’s echoed croon like twinkling stars. DeRosa has been better known as frontman for drone-pop act Aarktica for over a decade. Due to its limited release, ‘Anchored’ may not change that situation but whether this is a brief side project or not, there is a wonderful voice here which simply demands to be heard. ~ Leonard's Lair DeRosa is a bit of a musical chameleon, releasing his material under a variety of guises, be it the guitar soundscapes of Aarktica (Terrastock alumni, Mason Jones of SubArachnoid Space features on an Aarktica remix album), the rocking, alt.country of Pale Horse and Rider, or the dark folk of Dead Leaves Rising. Jon celebrates his dozenth release with this 4-track EP released under his own name, and there’s a distinct 80’s vibe throughout. The title track is a dirgy lament that echoes The Cure and Echo and The Bunnymen at their most introspective, with perhaps a touch of Jason Pierce’s Spiritualized project trickling through. DeRosa’s sparkling guitar notes serpentine around Julia Kent’s superlative cello embellishment creating a warm, thousand-yard stare atmosphere. The first thing you’ll notice about ‘Snow Coffin’ is Sam Lazzara’s big drum sound (an ‘80’s trademark), and the poppy, singalong track could have set comfortably on a Julian Cope album, both solo and his Teardrop Explodes material. ‘Ladies In Love’ is another tearful ballad, bleeding a mournful cello and reminiscent of his dark folk releases, but his tender voice lifts us above the somber backing and dreary imagery, which borrows a line from the poetry of serial killer, Charles Schmidt, the notorious “Pied Piper of Tucson.” The set concludes with his interpretation of The Chills’ ‘Submarine Bells’, featuring tinkling vibes, Jon Natchez’ tearful horns, and delicate backing vocals from Lorraine Lelis. Overall, this is a perfect way to while away a dreamy, rainy afternoon. ~ Jeff Penczak, Terrascope The first time I heard of Jon DeRosa was when he was a teenager. He sent his brilliant demos into a small indie record label that had the poor sense to employ me. His project, Dead Leaves Rising, was something the label should have latched onto immediately. The only reason I can think of that we didn’t was that we had our heads up our collective asses. Or perhaps we didn’t know HOW to sign a 14 year old. What do you do? Ask for a note from mom and dad? Since then DeRosa has worked on a number of consistently creative and adventuresome projects --Aarktica, Pale Horse And Rider. This new record might lead some to look for differences with previous work. In fact is likely to look for similarities—and by that I mostly refer to the stellar songwriting. If DeRosa decides to embrace death metal or techno next the songs would be top notch. He is someone you should hear. The CD release is limited to 500 hand numbered copies. A second record is in the works for next year. ~ Pat Ogle, Mapanare The man behind Aarktica delivers his debut solo album, an EP with four gorgeous songs with delicate acoustic arrangements. A rich true-sounding baritone voice and tender lyrics – it’s In Gowan Ring minus the Gothic element. Short but very nice. ~ François Couture, Monsieur Delire A l’heure de découvrir le premier disque signé sous son propre nom, difficile d’occulter l’histoire singulière de Jon DeRosa, qui a perdu l’usage d’une oreille en 1998. Abandonnant ces précédents projets, Flare et Dead Leaves Rising (dont les deux albums sont réédités ces jours-ci), DeRosa adopte alors une toute autre approche de la musique, délivrant sous le nom d’Aarktica de sombres albums fait de drones et de nappes ambiantes. Et puis, au fil des disques, le chant est revenu, les guitares ont rejailli, jusqu’à Matchless Years en 2007, magnifique album de cold-wave sensible et saisissante. Mais, tout près de toucher le soleil, Jon DeRosa fait alors volte face et se réfugie de nouveau dans les profondeurs abyssales (In Sea – 2009). Humeur instable, inspiration changeante, Jon DeRosa surprend à nouveau sur Anchored EP. Portées par un chant appliqué et très pur, les quatre chansons de ce disque dédié à Anthony DeRosa sont d’une grande limpidité acoustique et finement orchestrées. Le ton est franchement mélancolique, souligné par une pluie de violons, une averse de cuivres, soutenu par une batterie faisant régner une tension sourde d’avant l’orage. Un orage qui n’éclate pas. Inutile de céder à la colère puisqu’elle ne peut pallier au manque, à l’absence. Reste à Jon DeRosa les souvenirs et immortaliser avec la plus grande retenue cette déclaration d’amour posthume. ~ Denis Frelat, Autres Directions |
