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Electric Bird Noise -
Fragile Hearts...Fragile Minds
CD 2007 | No More Stars 005 5 tracks, 36 minutes $12 ($18 international) Thank You for Helping Me Feel Human Again, We Share More Than My Father's Last Name, Moments Like Last Night Make Me Wanna Believe in Ghost, Fall of the World Trade Center, Vestibule Transitoire |
Electric Bird Noise’s Fragile
Hearts…Fragile Minds (No More Stars Records) is another pleasant surprise,
displaying Brian McKenzie’s subtle guitar experimentalism. He seems to
be determined to further develop the hypnotic minimalism and atmospheric
drones of Brian Eno and Cluster and in most cases does so quite successfully.
There’s a lovely directness and spontaneity written all over this album
that just glides along its sad melodies but also provides a warm, dense
blanket perfect for tucking you in at night. This is rich and emotional
tone abstraction celebrating the fall at its very best.
~ Mats Gustafson, Broken
Face
Brian Mckenzie, Rev. Doc.
Scromps and Trey McMantis are three individuals behind the underground
act, Electric Bird Noise, known perhaps from the regular additions to several
of Silber Media’s free download compilations.
Now with their full release,
Fragile Hearts…Fragile Minds we get the opportunity to examine more deeply
the creative soundscape these three individuals can produce when left to
their own devices.
What will be most striking
at the outset is Electric Bird Noises’ seemingly rebellious stroke of idiosyncrasies,
having only one track in an album consisting of five at twenty six minutes.
A strange thing to note you might think but with the electronic drone/ambience
EBN produce and with their ties to Silber bands such as Remora, Small Life
Form and Kobi (in terms of their sound) it does come as a surprise that
while peers in the similar field produce lengthy passages, here we have
four tracks in unison all spanning less then eleven minutes combined.
As refreshing as this may
be (though a fan of the hallmark lengthy drone track, I too can find it
a tad reparative at times) it’s possible that EBN have gone too far in
the opposite direction.
Take the opening track for
example, ‘Thank You for Helping Me Feel Human Again’. While producing a
quirky and intriguing low-fi electronica sound, the track has ended before
it really begins, leaving you wondering whether you’ve pressed the stop
button accidentally.
‘We Share More Than My Father’s
Last Name’, meanwhile, while slightly longer in duration, suffers a similar
fate, although here a more prominent, cinematic resonance is produced,
having a found-sound quality to it via the slow rhythmic beatings and shaking
of various unknown-to-me items.
‘Fall of the World Trade
Centre’, a track expertly placed within Silber’s end of the world compilation,
is, however, when the release really picks up character and dimension,
using a rumbling and foreboding noise to underlay a distorted piano piece,
giving the composition a sense of impending doom, an audible precursor
to an expected disaster (heightened with the name of the track no less)
Finally then to ‘Vestibule
transitoire’ and to perhaps where the group’s efforts are truly captured.
A track that uses its eerie ambient quality and haunting distant hums to
engage your attention so completely, you’ll think the rest of the album
was just a daydream and this is really where it begins.
While not a terrible release,
Fragile Hearts…Fragile Minds does however leave you neither wanting or
interested in hearing more of their work, this simply down to the fact
of just how short a creation it is, a shame given that in a live setting
both their music and mise-en-scene is reputedly both captivating and hypnotic,
two powerful elements sadly lacking in this attempt.
To put it as concisely as
EBN’s release: don’t bother but for the last two tracks as the rest will
fly by without you even noticing anyway.
~ Michael Byrne, Left Hip
Comprised of eerie, haunting
minimalism, this is one of the most original, non-conforming releases of
the year. Electric Bird Noise, begun by Brian McKenzie a decade ago, reaches
into the most distant forms of sound made by guitar, piano and percussion.
The second half of fragile hearts is a 26-minute extremely ambient reverbed
piece that the History or Discovery Channel should use for documentaries
about the bottom of the ocean or the origin of the solar system.
~ Kenyon Hopkins, Advanced
Copy
Electric Bird Noise is een
band (of toch een eenmansproject?) rond de Amerikaan Brian McKenzie en
maakt, zoals men het zelf omschrijft, "cinematic instrumental guitar music".
"Fragile Hearts... Fragile Mind" is het derde album en volgens bijgeleverde
persinfo laat het een verscheidenheid aan muzikale stijlen zien. Curieus
is dit plaatje wel, met slechts 36 minuten muziek, zeker als je ziet dat
het vijfde en laatste nummer daar maar liefst 26 minuten van inneemt! De
overige vier nummers komen elk in slechts enkele minuten voobij. Desondanks
is dit een prettig plaatje. Het is zeker divers, het openingsnummer is
een minuut van minimalistische electronica die daarna overloopt in een
post rock-achtig nummer. De gitaarlead doet me verschrikkelijk aan iets
denken, alhoewel de naam me blijft ontglippen (ik zie jammende Japanners
voor me en denk Mogwai, Té of iets dergelijks, maar dat is het dus
niet). De derde track is meer een moog-fest met droge, bijna statische
(als in statische electriciteit) beats. Het vierde nummer, "Fall Of The
World Trade Center" heeft blijkbaar ook op een aantal compilaties gestaan,
maar ik vind het niet veel bijzonders. Nee, dan de laatste 26 minuten,
"Vestibule Transitoire", wat een rustig stuk gitaarambient is met veel
feedback en reverb wat alleen maar beter wordt naar het einde toe.
Je zult begrijpen uit bovenstaande
omschrijving dat dit schijfje een mixed bag is, maar wat mij betreft één
waar veel goeds in zit. Zij die niet vies zijn van rustigere post rock
of ambient zullen hier best wat van hun gading in kunnen vinden.
~ Jaap Kamminga, IkEcht